Panasonic Gh4

Jun 282014
 
Choosing Anamorphic Lenses for DSLRs

If you read Part 1 of my guide, you will know that all the anamorphic talk in my posts is for anamorphic projection lenses, not $50,000 anamorphic primes used by Hollywood. This page focuses on lens mechanics, and how to choose a good anamorphic lens. There are three main variables when it comes to anamorphic lenses: focusing type, squeeze amount, and vignetting. Focus Through vs Dual Focus Anamorphic Lenses Strait through focusing lenses cost more. If you buy an anamorphic projection lens that can be focused through that means that you can set your taking lens to infinity and use the anamorphic lens to focus. This is a very attractive set up because it makes focusing very easy: basically you focus like you would normally focus only instead of using your regular lens for focusing you use the anamorphic attachment for focusing. Dual Focusing Anamorphic Lenses These are the most [...]

Jun 272014
 
Using Anamorphic Lenses for DSLR Video

I hope this will become a multipart series (hope I don’t get lazy). Basically shooting anamorphic video on a DSLR can be a hassle. But it is very rewarding. Here are the basics of anamorphic video: Anamorphic Lenses vs Regular Lenses Most people who shoot anamorphically on DSLRs use projection lenses. Anamorphic projector lenses were originally used for film projectors but lately DSLR shooters have snagged them up to use for DSLR videos. The good news is that anyone with a Canon, Nikon, Panasonic or GoPro can shoot anamorphic video. Hell, if you have an iPhone you can shoot anamorphic video! All you need is an anamorphic lens. Anamorphic Aspect Ratio An anamorphic lens uses internal lens elements that are shaped so that the aspect ratio ends up wider. Lots of people add black bars to the top and bottom of their footage, but this reduces the video’s resolution. By [...]

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